NewMexiKen

It’s the birthday of Pat Conroy. The author of The Prince of Tides and The Great Santini is 62 today. Two years ago NewMexiKen relayed a good story about Conroy’s introduction to literature at D.C.’s Gonzaga High School — We should both cherish it.

Today is Pat Sajak’s birthday. His wheel has spun for 61 years.

Senator Hillary Rodham Clinton is 60 today.

And it’s the birthday of Mahalia Jackson, born on this date in 1911 (she died in 1972). As The New York Times noted in Ms. Jackson’s obituary:

“I been ‘buked and I been scorned/ I’m gonna tell my Lord/ When I get home/ Just how long you’ve been treating me wrong,” she sang in a full, rich contralto to the throng of 200,000 people as a preface to Dr. King’s “I’ve got a dream” speech.

The song, which Dr. King had requested, came as much from Miss Jackson’s heart as from her vocal cords. The granddaughter of a slave, she had struggled for years for fulfillment and for unprejudiced recognition of her talent.

She received the latter only belatedly with a Carnegie Hall debut in 1950. Her following, therefore, was largely in the black community, in the churches and among record collectors.

Although Miss Jackson’s medium was the sacred song drawn from the Bible or inspired by it, the words–and the “soul” style in which they were delivered–became metaphors of black protest, Tony Heilbut, author of “The Gospel Sound” and her biographer, said yesterday. Among blacks, he went on, her favorites were “Move On Up a Little Higher,” “Just Over the Hill” and “How I Got Over.”

Singing these and other songs to black audiences, Miss Jackson was a woman on fire, whose combs flew out of her hair as she performed. She moved her listeners to dancing, to shouting, to ecstasy, Mr. Heilbut said. By contrast, he asserted, Miss Jackson’s television style and her conduct before white audiences was far more placid and staid.

Today is the birthday

… of basketball coach Bobby Knight. He’s 67.

… of singer Helen Reddy. “I am woman, hear me roar” is a roaring 66.

… of author Anne Tyler (not to be confused with Ann Taylor). The Pulitzer winner (for Breathing Lessons) is 66.

Early in her career, she decided she did not want to be a public person, so she stopped giving readings and only does occasional interviews in writing. She said, “Any time I talk in public about writing, I end up not able to do any writing. It’s as if some capricious Writing Elf goes into a little sulk whenever I expose him.” Ann Tyler also said, “I want to live other lives. I’ve never quite believed that one chance is all I get. Writing is my way of making other chances. It’s lucky I do it on paper. Probably I would be schizophrenic — and six times divorced — if I weren’t writing.”

The Writer’s Almanac from American Public Media

… of basketball hall-of-famer Dave Cowens. The tenacious Celtic is 59.

… of Nancy Cartwright. The voice of Bart Simpson is 50.

Pablo Picasso was born on this date in 1881.

Charles Edward Coughlin was born on this date in 1891.

One of the first public figures to make effective use of the airwaves, Charles E. Coughlin, was for a time one of the most influential personalities on American radio. At the height of his popularity in the early 1930s, some 30 million listeners tuned in to hear his emotional messages. Many of his speeches were rambling, disorganized, repetitious, and as time went by, they became increasingly full of bigoted rhetoric. But as a champion of the poor, a foe of big business, and a critic of federal indifference in the face of widespread economic distress, he spoke to the hopes and fears of lower-middle class Americans throughout the country. Years later, a supporter remembered the excitement of attending one of his rallies: “When he spoke it was a thrill like Hitler. And the magnetism was uncanny. It was so intoxicating, there’s no use saying what he talked about…”
. . .

In 1927 Coughlin offered the first Catholic services on the radio. They were an immediate success. Part of Coughlin’s appeal can be credited to his understanding of what the American public wanted to hear, but many attributed his popularity in part to the sound of his mellifluous voice. Writer Wallace Stegner described it as a “voice of such mellow richness, such manly, heart-warming confidential intimacy, such emotional and ingratiating charm, that anyone tuning past it almost automatically returned to hear it again.” In the fall of 1930, CBS picked up Coughlin’s radio show, broadcasting it over a national network for the first time. The priest began receiving approximately 80,000 letters a week.
. . .

Although anti-Semitic themes appeared in some of Coughlin’s speeches fairly early in his career, it wasn’t until the late 1930s that the priest’s rhetoric became increasingly filled with attacks on Jews. By 1938, the pages of “Social Justice” were frequently filled with accusations about Jewish control of America’s financial institutions. In the summer of that year, Coughlin published a version of “The Protocols of the Elders of Zion.” A virulently anti-Semitic piece of propaganda that had originated in Russia at the turn of the century, the “Protocols” accused Jews of planning to seize control of the world. Jewish leaders were shocked by Coughlin’s actions.

The American Experience

NewMexiKen once attended a sermon by Fr. Coughlin. I remember it only that I knew who he’d been thirty years earlier and that it had political undertones. The link above has more details about Coughlin’s career. The Talking History Archive has a Coughlin broadcast. Scroll down the page about 40%.

Today is the birthday

… of Bill Wyman. The Rolling Stones’ bassist (1962-1992) is 71.

… of F. Murray Abraham. The Oscar-winning best actor (Amadeus) is 68 today.

… of Kevin Kline. The Oscar-winning best supporting actor (A Fish Called Wanda) is 60 today.

Bob Kane, the Cartoonist Who Created “Batman” was born on October 24, 1915. From his Times obituary in 1998:

In 1938 he started drawing adventure strips, ”Rusty and His Pals” and ”Clip Carson,” for National Comics. That same year, a comic-book hero called Superman appeared. Vincent Sullivan, the editor of National Comics, who also owned Superman, asked Mr. Kane and Mr. Finger to come up with a Supercompetitor. They developed Batman on a single weekend. Mr. Kane was 18 [23].

The first Batman strip came out in May 1939 in Detective Comics, one year after the debut of Superman. Batman’s first adventure was called ”The Case of the Chemical Syndicate.” And he was another kind of superhero entirely. Batman wasn’t as strong as Superman, but he was much more agile, a better dresser and had better contraptions and a cooler place to live.

He lived in the Batcave, drove the Batmobile, which had a crime lab and a closed-circuit television in the back, and owned a Batplane. He also kept a lot of tools in his utility belt, including knockout gas, a smoke screen and a radio.

”Since he had no superpowers, he had to rely only on his physical and his mental skills,” said Allan Asherman, the librarian of DC Comics.

Playwright and director Moss Hart was born on October 24th in 1904.

A distinguished librettist, director, and playwright who was particularly renowned for his work with George S. Kaufman. Hart is reported to have written the book for the short-lived “Jonica” in 1930, but his first real Broadway musical credit came three years later when he contributed the sketches to the Irving Berlin revue “As Thousands Cheer.” Subsequent revues for which he co-wrote sketches included “The Show Is On,” “Seven Lively Arts,” and “Inside USA.” During the remainder of the ’30s Hart wrote the librettos for “The Great Waltz” (adapted from the operetta “Waltzes of Vienna”), “Jubilee,” “I’d Rather Be Right” (with Kaufman), and “Sing Out the News” (which he also co-produced with Kaufman and Max Gordon). In 1941 he wrote one of his wittiest and most inventive books for “Lady in Dark,” which starred Gertrude Lawrence, and gave Danny Kaye his first chance on Broadway.

Thereafter, as far as the musical theater was concerned, apart from the occasional revue, Hart concentrated mostly on directing, and sometimes producing, shows such as Irving Berlin’s “Miss Liberty,” and Alan Jay Lerner and Frederick Loewe’s smash hits “My Fair Lady” and “Camelot.” He won a Tony Award for his work on “My Fair Lady.” His considerable output for the straight theater included “Light up the Sky,” “The Climate of Eden,” “Winged Victory,” and (with Kaufman) “Once in a Lifetime,” “You Can’t Take It With You” (for which they both won the Pulitzer Prize), and “The Man Who Came to Dinner.” Hart also wrote the screenplays for two film musicals, HANS CHRISTIAN ANDERSEN (1952) and the 1954 remake of A STAR IS BORN, starring Judy Garland. His absorbing autobiography, ACT ONE, was filmed in 1963 with George Hamilton as Hart and Jason Robards as Kaufman.

Broadway: The American Musical . Stars Over Broadway | PBS