[snotr]4739[/snotr]
Thanks to J.D. for the link.
[snotr]4739[/snotr]
Thanks to J.D. for the link.
Roger Ebert discusses his picks.
Ebert says four of his 10 are on Netflix streaming.
“Young people have no idea that there was an original True Grit. And don’t even mention Glen Campbell unless you want to feel like a village elder explaining the motivation behind your cave drawing.”
Shoebox » Tiny Little Movie Review: True Grit
I loved the whole last paragraph of the review — click and read it.
A long-time NewMexiKen reader wrote to say, “No NMK until 2011? Come on, I need stuff to read.”
These are good.
The best feature films of 2010 by Roger Ebert
Your Burning Questions, Answered by Matt Taibbi
A Holiday Message from Ricky Gervais: Why I’m An Atheist
And a best line:
“It’s not Christmas until you throw the tape dispenser because you can’t get the tape started.” – Bill
“Yes, you can probably bring Grandma to this one on Christmas.”
Ethan Cohen, co-director of True Grit, quoted in a quasi-review/interview by David Carr.
Better yet, I hope someone takes GrandPA to see it.
BTW the Cohens rave about the book, as does Matt Damon — True Grit by Charles Portis. They claim the book made the movie.
The New Yorker critics Anthony Lane and David Denby offer their best (and some worse) films of 2010. Denby definitely did not like Black Swan.
A Christmas Story in 30 seconds with bunnies.
“I once had to sit in the middle of a three-seat row all the way to wherever I was flying and various parts of my body kept falling asleep and it was hard to get comfortable and it was right when they quit giving you meals. So I know what Aron Ralston went through, pretty much.”
Dan at Shoebox reviewing 127 Hours.
Will “The Social Network” ride its early wave of positive reviews and zeitgeisty momentum, only to fizzle, à la “Up in the Air”? Will “Black Swan” go toe-to-toe with “Inception” in the category of films from directors (Darren Aronofsky and Chris Nolan) who are overdue for accolades? Will the billion-dollar grossing “Toy Story 3,” the final act of a beloved series, which has the considerable backing of Disney and Pixar, pull a “Lord of the Rings” to have a real shot at best picture? And what of “Winter’s Bone” and “The King’s Speech,” indies that are said to be playing well at Academy screenings, and “True Grit,” the Coen Brothers remake which is yet to come?
“Wow!”
Donna, at the conclusion of “The Secret in Their Eyes” (El secreto de sus ojos). She also said, “Excellent movie.”
The film, which won the Academy Award for best foreign-language picture this year, is set in Argentina and is in Spanish (we watched with English sub-titles). Excellent acting, a complex mystery, a few unexpected plot twists, a hint of romance and comic moments all make this a fascinating film.
Jill and I saw the film The Social Network over the weekend. We commented to each other last evening that we were still thinking about the movie.
This is the film about the birth of Facebook (or as it was originally called, The Facebook). The movie is very well written (screenplay by Aaron Sorkin) and very well acted (Jesse Eisenberg, Andrew Garfield and even Justin Timberlake). It is also, I thought, just plain interesting about the mechanics of the modern world in the same way West Wing was.
Like the people it portrays, this is a very smart movie. It engages you with dialogue and complexity made dramatic.
“It is the best movie I have ever seen.”
Dilbert creator Scott Adams on The Social Network.
In The Social Network, Mark Zuckerberg (Jesse Eisenberg) models Facebook on Harvard’s legendary final clubs, private groups made up of some of the school’s most privileged students. But the clubs are as secretive as they are exclusive, which meant researching them was no easy task for screenwriter Aaron Sorkin. Luckily, he got a hand from one of the school’s most famous alums: Natalie Portman. The star studied at Harvard from 1999-2003 and dated a member of the famous Porcellian Club — and she couldn’t wait to tell Sorkin all about it.
“Natalie Portman got in touch with me when she heard that I was doing this to say, ‘Listen…come over for dinner and I’ll tell you some stories,'” Sorkin said to a group of Harvard students at a sneak preview screening last week. “I would’ve come over for dinner under any circumstances. But that was really helpful.”
Only EW would think Natalie Portman, lovely and talented as she is, was “one of [Harvard’s] most famous alums.”
1. Na’vi female from Pandora.
2. Michael Modine and Caridad Rivera’s daughter Ruby, 20. In either case, how exotic she appears. |
She was so much more than the elderly Rose in Titanic.
In the past few evenings I have watched two movies, The Kite Runner about Afghanistan and Invictus about South Africa and Nelson Mandela. Both are excellent, as most of you probably already know.
But my brain is having a difficult time. Or maybe it’s my heart. How can there be a world with so much evil and yet some people with so much good?
Maybe in between the two I should have watched a romantic comedy — or something with Jack Black in it.
I thought this piece by Amy Davidson was fascinating. War and movie stars and affairs and even a wonderful, wonderful clip from “Miracle on 34th Street.”
Tonight I watched Zelary, a 2003 film from the Czech Republic. This beautifully filmed drama tells the story of a nurse during World War II who must leave her surgeon lover and the city when they are discovered by the Gestapo as part of the resistance. She is taken to a remote mountain community to save her life, putting all who help her there in jeopardy, including the man she marries to make her arrival appear convincing. It’s more romance than war film, finely-paced, with a number of interesting characters and subplots.
As with many European films, I found I had to slow down and savor the film. It was rewarding when I did.
Zelary is in Czech with English subtitles. My copy was a DVD from Netflix.
Kottke mentioned this list. Roger Ebert put it together in 1995.
We saw The Girl Who Played With Fire (Flickan som lekte med elden) this afternoon — the Swedish film (with English subtitles) based on the Stieg Larsson book, the second of The Girl with the Dragon Tattoo trilogy. It’s a terrific action drama and Noomi Rapace is even more remarkable as Lisbeth Salander.
Read the three books. See the movies.
(The third film, The Girl Who Kicked the Hornet’s Nest (Luftslottet som sprängdes) was released late last year in Europe but not in the U.S. yet.)
Sports writer and columnist Joe Posnanski lists the 100 best movies he’s ever seen.
The movies that are on this list are the ones that, one way or another, transported me into another time and another place. They made me laugh so hard I couldn’t stop, or they changed the way I looked at the world, or they made me fall in love, or they made me ridiculously happy, or they chilled me to the bone. What they did was take me outside of myself for an hour and a half or two hours or however long.
It’s an interesting list, based he says in part on reading Roger Ebert’s The Great Movies and The Great Movies II.
I’m not sure I could do a 100 best list. I don’t remember movies that well and would be too dependent on external hints (such as Ebert). There surely are many movies I will watch for a few minutes when I find them while surfing the channels — even though I’ve seen them many times before.
Posnanski’s list is in alphabetical order, so click the link above to check it out. His explanation is interesting, too.
I quickly estimated I’ve seen about 75 of the 100. Ebert’s books are terrific reading and the great movies reviews are online.
There are many of us who have no shame about our obsession with Lisbeth Salander, the tattooed, nose-ringed, bisexual computer hacker whom the late Swedish novelist Stieg Larsson placed at the center of his three posthumous bestsellers, The Girl With the Dragon Tattoo, The Girl Who Played With Fire and The Girl Who Kicked the Hornet’s Nest. Given that, the prospect of a film version of the second book is a cause for excitement. It’s a shame that the second film, directed by Daniel Alfredson, lacks the stylistic flair and driving energy that Niels Arden Oplev brought to the film rendition of the first book. But Noomi Rapace, who became an international star in the role of Lisbeth, is back in action, and she’s spectacular.
The first film is available on Netflix streaming — in Swedish with English subtitles.
Here, at Luis’s suggestion, the top lines from Raising Arizona:
First posted here five years ago today.
The American Film Institute announced its Top 100 movie quotes of all time. Here’s the top 10.
“Like the marriage montage near the beginning of Up, the last 10 minutes of Toy Story 3 seem to have been developed in collaboration with an ophthalmologist specializing in the production of tears.”
She says it’s the best of the three Toy Storys.
The review linked to this video.