It’s the birthday

… of two fat loudmouths. Kirstie Alley and Rush Limbaugh both turn 55 today.

… of a skinny loudmouth. Howard Stern is 52 today.

… of a billionaire. Jeff Bezos, founder and CEO of Amazon, is 42.

… of three classic singers of their genre: Ray Price is 80, Ruth Brown is 78 and Glenn Yarborough is 76.

When Ray Noble Price was inducted into the Country Music Hall of Fame in 1996, many noted that the honor was long overdue. Such feelings weren’t based so much on the longevity of his career or on the number of major hits he has recorded, for in those regards Price was no different from many other deserving artists awaiting induction. More importantly, Price has been one of country’s great innovators. He changed the sound of country music from the late 1950s forward by developing a rhythmic brand of honky-tonk that has been hugely influential ever since. As steel guitarist Don Helms, a veteran of Hank Williams’s Drifting Cowboys once put it, “Ray Price created an era.” (Country Music Hall of Fame)

In the Fifties, Ruth Brown was known as “Miss Rhythm,” a testament to her stature as a female rhythm & blues singer whose only serious competition was Dinah Washington. Signed to Atlantic Records in 1948 by label founders Ahmet Ertegun and Herb Abramson, Brown gave the fledgling company its second-ever hit with “So Long,” a simple, bluesy showcase for her torchy, church- and jazz-schooled voice. Her second single, “Teardrops in My Eyes,” brought out her more swaggering, aggressive side, and she was rewarded with her first Number One R&B hit. For the duration of the Fifties, Brown dominated the R&B charts and even crossed over into rock and roll with some success with “Lucky Lips” (written by Jerry Leiber and Mike Stoller) and “This Little Girl’s Gone Rockin'” (written for Brown by Bobby Darin). But her best work was to be found on such red-hot mid-Fifties R&B sides as “5-10-15 Hours” and “(Mama) He Treats Your Daughter Mean.” No less a rock and roll pioneer than Little Richard has credited Brown with influencing his vocal style. Brown’s two dozen hit records helped Atlantic secure its footing in the record industry, a track record for which the young label was referred to as “the House That Ruth Built.” (Rock and Roll Hall of Fame)

From his days as the singing mainstay of “The Limeliters” through a long solo career that’s seen its share of hits, Glenn Yarbrough has been a respected interpreter of folk and popular music. He’s had a top hit in “Baby, The Rain Must Fall” and his interpretation of “Seven Daffodils” is the benchmark against which love songs are measured. From his days in a boys choir through today, Glenn’s powerful voice has rung with lusty conviction about all that he cares about. Listen to Glenn Yarbrough. He’s what singing should be. (All Music Guide)

Tuning in

NewMexiKen hasn’t installed the latest version of iTunes yet, though it’s available.

The reason I’ll wait is that this new version, 6.0.2, comes with what some are calling spyware and adware. Cory Doctorow at BoingBoing has more:

Apple’s latest iTunes update, which, by default, switches on the “MiniStore,” an advertising/recommendation section that uses your current song-selection to recommend other songs that you can buy from Apple. In order to accomplish this, it must transmit your listening habits to Apple.

The problem is that Apple doesn’t inform you when you update your iTunes that you’re also turning on a system that transmits your private information to Apple and third-party partners. There’s no indication (apart from the recommendations) that this is going on, nor is there any information about what Apple will do with that information.

Apple has posted an article on How to show or hide the MiniStore in iTunes:

You can show or hide the MiniStore by choosing Show MiniStore or Hide MiniStore in the Edit menu or by clicking the “Show or Hide the MiniStore” button …

iTunes sends data about the song selected in your library to the iTunes Music Store to provide relevant recommendations. When the MiniStore is hidden, this data is not sent to the iTunes Music Store.

Still, Apple should have been more up front about this and made the option a choice to be made on installation. NewMexiKen isn’t paranoid on this privacy stuff. You can’t surf the web all day in fear. What I don’t like is Apple acting like Microsoft. One hopes that if enough of us wait to install the mini-store Apple will get the message.

By the way, in case you’ve wondered, you don’t need an iPod to use iTunes on your Mac or PC.

The Battle of New Orleans

… was fought on this date in 1815.

News of the peace treaty between Britain and the United States that had been signed at Ghent on December 24, 1814, did not reach the United States in time to avert the battle. Major General Andrew Jackson’s army of six-to-seven thousand troops consisted chiefly of militiamen and volunteers from southern states who fought against 7,500 British regulars.

The British stormed the American position, fortified effectively with earthworks and cotton bales. The fighting lasted only half an hour, ending in a decisive U.S. victory and a British withdrawal. British casualties numbered more than 2,000 (289 killed); American, only 71 (31 killed). News of the victory reached Washington at the same time as that of the Treaty of Ghent and did much to raise the low morale in the capital.

The anniversary of the Battle was widely celebrated with parties and dances during the nineteenth century, especially in the South. More recently it was commemorated in the “Battle of New Orleans,” as sung by Johnny Horton and others.

Battle of New Orleans by Jimmy Driftwood

In 1814 we took a little trip,
along with Colonel Jackson down the mighty Mississip.
We took a little bacon and we took a little beans,
and we fought the bloody British in the town of New Orleans.

We fired our guns and the British kept a comin’,
There wasn’t ’bout as many as there was awhile ago.
We fired once more and they began to runnin’
On down the Mississippi to the Gulf of Mexico.

Oh we looked down the river and we seen the British come.
There must have been a hundred of ’em beatin’ on a drum.
They stepped so high and they made their bugles ring.
We stood behind our cotton bales and didn’t say a thing.

Old Hickory said we could take ’em by surprise,
if we didn’t fire our muskets till we looked ’em in the eyes.
We held our fire till we seen their faces well,
then we opened up our squirrel guns and gave ’em a little…Well….we…

…fired our guns and the British kept a comin’,
There wasn’t ’bout as many as there was awhile ago.
We fired once more and they began to runnin’
On down the Mississippi to the Gulf of Mexico.

We fired our cannons till the barrels melted down,
then we grabbed an alligator and we fired another round.
We filled his head with cannonballs and powdered his behind,
and when we touched the powder off, the gator lost his mind.

We fired our guns and the British kept a comin’,
There wasn’t ’bout as many as there was awhile ago.
We fired once more and they began to runnin’
On down the Mississippi to the Gulf of Mexico.

Top Records of 2005

Rolling Stone lists its top 50 records of 2005. Here’s their top 10:

1. Kanye West, Late Registration
2. The Rolling Stones, A Bigger Bang
3. White Stripes, Get Behind Me Satan
4. Fiona Apple, Extraordinary Machine
5. Bruce Springsteen, Devils and Dust
6. My Morning Jacket, Z
7. Beck, Guero
8. Bright Eyes, I’m Wide Awake, It’s Morning
9. Sufjan Stevens, Illinois
10. 50 Cent, The Massacre

America’s Top-Selling Albums of All Time

The Recording Industry Association of America’s Top-Selling Albums of All Time:

28 million
  Eagles: Their Greatest Hits, 1971–1975, Eagles (Elektra)
26 million
  Thriller, Michael Jackson (Epic)
23 million
  The Wall, Pink Floyd (Columbia)
22 million
  Led Zeppelin IV, Led Zeppelin (Swan Song)
21 million
  Greatest Hits, Volumes I & II, Billy Joel (Columbia)
19 million
  Rumours, Fleetwood Mac (Warner Bros.)
  Back in Black, AC/DC (Elektra)
  The Beatles, The Beatles (Capitol)
  Come On Over, Shania Twain (Mercury Nashville)
17 million
  Boston, Boston (Epic)
  The Bodyguard (soundtrack), Whitney Houston (Arista)

The list continues with all albums selling 10 million copies or more through May 16, 2005.

I’m Dreaming of a White Christmas

From The Miami Herald [2003 — no link]:

Before White Christmas, the holidays meant traditional carols and religious hymns. After it, secular tunes became part of the fiber of popular culture.

Rosen estimates 125 million copies of the three-minute song have been sold since it was first recorded in 1942.

”Is there another song that Kenny G, Peggy Lee, Mantovani, Odetta, Loretta Lynn, the Flaming Lips, the Edwin Hawkins Singers and the Backstreet Boys have in common?” writes Rosen. “What other tune links Destiny’s Child, The Three Tenors and Alvin and the Chipmunks; Perry Como, Garth Brooks and Stiff Little Fingers; the Reverend James Cleveland, Doris Day and Kiss?”

And Crosby’s performance marks a turning point in the music industry.

”It marks the moment when performers supplant songwriters as the central creative forces at least in mainstream American pop music,” he told NPR in 2002. “After the success of White Christmas, records become the primary means of disseminating pop music, and they replace sheet music. And the emphasis shifts to charismatic performances recorded for all time and preserved on records….”

Some facts about the “hit of hits”:

• Bing Crosby first performed White Christmas on Dec. 25, 1941, on NBC’s Kraft Music Hall radio show.

• Crosby first recorded the song for Decca on May 29, 1942. He rerecorded it March 19, 1947, as a result of damage to the 1942 master from frequent use. As in 1942, Crosby was joined in the studio by the John Scott Trotter Orchestra and the Ken Darby Singers.

• The song was featured in two films: Holiday Inn in 1942 (for which it collected the Academy Award for best song) and 12 years later in White Christmas.

• Crosby’s single sold more than 30 million copies worldwide and was recognized as the bestselling single in any music category until 1998 when Elton John’s tribute to Princess Diana, Candle in the Wind, overtook it.

• Irving Berlin so hated Elvis Presley’s cover of White Christmas that he launched a fierce (and fruitless) campaign to ban Presley’s recording.

Oldies but goodies

At Slate, Fred Kaplan lists the best new jazz albums of 2005, but first he lists the three truly best jazz albums released this year.

The three best jazz albums of 2005 were recorded 40 to 60 years ago….

It’s a mere, if wondrous, coincidence that those three recordings of yore were all discovered this year. And they are discoveries; nobody had even known they existed. Dizzy Gillespie-Charlie Parker, New York, Town Hall, June 22, 1945 (Uptown Jazz), recorded shortly after the two fathers of be-bop formed their quintet with Max Roach on drums, is as electrifying as anything they would set down ever again. Thelonious Monk Quartet With John Coltrane at Carnegie Hall (Blue Note), made in November 1957 shortly before that group broke up, finds Monk playing his most archly elegant piano and Coltrane his most relaxed yet searching tenor sax. John Coltrane’s One Down, One Up: Live at the Half Note (Impulse!), recorded in the spring of 1965, in a Manhattan club that Trane used as a sort of workshop, captures his great quartet streaking on the knife-edge between structure and freedom.

All three easily rank among the best jazz albums of all time.

Imagine

Imagine there’s no heaven
It’s easy if you try
Nowhere below us
Above only sky
Imagine all the people
Living for today…

Imagine there’s no countries
It isn’t hard to do
Nothing to kill or die for
And no religion too
Imagine all the people
Living life in peace…

You may say I’m a dreamer
But I’m not the only one
I hope someday you’ll join us
And the world will be as one

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people
Sharing all the world…

You may say I’m a dreamer
But I’m not the only one
I hope someday you’ll join us
And the world will be as one

John Lennon

Get the lead out

The Washington Post reports that a Study Concludes Beethoven Died From Lead Poisoning:

By focusing the most powerful X-ray beam in the Western Hemisphere on six of Ludwig van Beethoven’s hairs and a few pieces of his skull, scientists have gathered what they say is conclusive evidence that the famous composer died of lead poisoning.

The work, done at the Energy Department’s Argonne National Laboratory outside of Chicago, confirms earlier hints that lead may have caused Beethoven’s decades of poor health, which culminated in a long and painful death in 1827 at age 56.

Among the possibilities are his liberal indulgence in wine consumed from lead cups or perhaps a lifetime of medical treatments, which in the 19th century were often laced with heavy metals.

Ira Gershwin

… one of America’s great lyricists, was born on this date in 1896.

Summertime
And the livin’ is easy,
Fish are jumpin’
And the cotton is high.
Oh yo’ daddy’s rich
An’ yo’ ma is good lookin’
So hush, little baby,
Don’t you cry.

[with Dubose Heyward]

*****

You’ve made my life so glamorous
You can’t blame me for feeling amorous.
Oh! ‘S wonderful! ‘S marvelous!
That you should care for me!

‘S wonderful! ‘S marvelous!
That you should care for me!
‘S awful nice! ‘S paradise!
‘S what I love to see!

*****

The way you wear your hat,
The way you sip your tea,
The mem’ry of all that —
No, no! They can’t take that away from me!

The way your smile just beams,
The way you sing off key,
The way you haunt my dreams —
No, no! They can’t take that away from me!

iPod 101

From Apple — iPod 101

If you’re a new iPod owner or simply need a refresher course on how to get the most out of your iPod, you’ve come to the right place. Welcome to iPod 101: Your guide to rockin’ out, gettin’ down, and boogieing with your iPod, iPod nano, iPod mini, or iPod shuffle.

The Grand Old Opry

… began broadcasting on this date in 1925.

At 8 p.m. on November 28, 1925, Hay pronounced himself “The Solemn Old Judge” (though he was actually only 30 years old) and launched, along with championship fiddler, Uncle Jimmy Thompson, what would become the WSM Barn Dance.

Hay’s weekly broadcasts continued and proved enormously popular, and he renamed the show the Grand Ole Opry in 1927. Crowds soon clogged hallways as they gathered to observe the performers, prompting the National Life company to build an acoustically designed auditorium capable of holding 500 fans. When WSM radio increased broadcasting power to 50,000 watts in 1932, most of the United States and parts of Canada could tune into the Opry on Saturday nights, broadening the show’s outreach. …

The Opry went through a number of homes in several parts of Nashville before settling, in 1943, at the Ryman Auditorium, a former religious meeting house built in 1892….

Grand Ole Opry: Introduction

It’s the birthday

… of Caroline Kennedy Schlossberg. She’s 48 today.

Johnny Allen Hendrix was born in Seattle on this date in 1942. His name was changed to James Marshall Hendrix at age four. We know him as Jimi. He acquired his first guitar at age 16.

Jimi Hendrix expanded the range and vocabulary of the electric guitar into areas no musician had ever ventured before. Many would claim him to be the greatest guitarist ever to pick up the instrument. At the very least his creative drive, technical ability and painterly application of such effects as wah-wah and distortion forever transformed the sound of rock and roll. Hendrix helped usher in the age of psychedelia with his 1967 debut, Are You Experienced?, and the impact of his brief but meteoric career on popular music continues to be felt.

Excerpt from Rock and Roll Hall of Fame and Museum: Inductee Detail

Link Wray

Link Wray, the electric guitar innovator who is often credited as the father of the power chord, died earlier this month at his home in Copenhagen, apparently of natural causes. He was seventy-six.

He may have died quietly, but Wray’s life was notable for its enthusiastic devotion to volume. “Rumble,” the guitarist’s 1958 signature song, had the unique distinction of being widely banned by radio stations across America despite the fact that it had no words.

As legend has it, Wray poked a pencil through the cone of his amplifier to achieve the song’s groundbreaking fuzz tone. Its ragged, ominous chords, overdriven and dragged to a crawl, sounded like an invitation to a knife fight. At a time of national hysteria over juvenile delinquency, many cultural scolds took the song’s implied threat literally.

Wray’s early, highly stylized instrumental swagger, further evidenced in follow-up hits such as “Raw-Hide” and “Jack the Ripper,” would prove to be a great inspiration for some of the most potent guitarists of the classic rock era, including Pete Townshend, Neil Young and Bruce Springsteen. Bob Dylan, another teenage fan, opened his show in London Sunday night by playing “Rumble” in tribute.

Rolling Stone

It’s “Rumble” that’s heard in Pulp Fiction. NewMexiKen had an entry about Wray last year.

Coleman Hawkins, Father of the Tenor Sax

… was born on this date in 1904. Listen to his seminal recording of Body and Soul [RealPlayer].

As writer Len Weinstock noted,

Hawkins himself didn’t think there was anything outstanding about his Body and Soul saying “it was nothing special, just an encore I use in the clubs to get off the stand. I thought nothing of it and didn’t even bother to listen to it afterwards”. But the solo, two choruses of beautifully conceived and perfecly balanced improvisation, caused an immediate sensation with musicians and the public. It is still the standard to which tenorists aspire. A parallel can be drawn between Hawkins’ Body and Soul and Lincoln’s Gettysburg Address . Both were brief, lucid, eloquent and timeless masterpieces, yet tossed off by their authors as mere ephemera.

Lincoln well knew what he had done at Gettysburg, but it’s a nice analogy even so.

Hawkins died in 1969.

Sunday morning iTunes blogging

The last dozen shuffle play (well, Joe Walsh was intentional):

  • “Life’s Been Good,” Joe Walsh
  • “Just Once in My Life,” The Righteous Brothers
  • “Respect,” Otis Redding
  • “Jesu, Joy of Man’s Desiring,” Bach
  • “Float On,” Modest Mouse
  • “Theme from a Summer Place,” Percy Faith
  • “For Your Love,” The Yardbirds
  • “Creeque Alley,” The Mamas and the Pappas
  • “Fine and Mellow,” Billie Holiday
  • “Sam Hill,” Merle Haggard
  • “Dinah,” Quintette of the Hot Club of France
  • “In the Wee Small Hours of the Morning,” Frank Sinatra

The Good the Bad and the Ugly

Amazon has not only pulled all of Sony’s rootkit-infected CDs from its catalog, they’re also contacting everyong who bought a rootkit CD and offering a full refunds, whether or not the CD has been opened.

Now this is a textbook example of how retailers should be responding to the news that Sony tricked them into selling CDs that screwed up their customers’ computers.

Source: Boing Boing

The Good is Amazon.

The Bad and the Ugly is Sony BMG. A list of the culprit CDs.

‘Run It!’

After coming in second for four straight weeks on the Billboard Hot 100, Chris Brown’s “Run It!” finally seizes the No. 1 position. The cut takes over for Kanye West’s “Gold Digger” featuring Jamie Foxx, which held the top spot for 10 consecutive weeks.

Billboard

Chris Brown is 16-years-old. Listen (iTunes).

It’s the birthday

… of jazz singer Dianna Krall. She’s 41 today. Great music to blog by.

… of actor Burgess Meredith, like Oklahoma and Gila Cliff Dwellings National Monument, born on this date in 1907. Meredith was twice nominated for the best supporting actor Oscar — at the age of 68 and 69 — The Day of the Locust and Rocky.

I hate to see that evening sun go down

W.C. Handy was born on this date in 1873. Handy was the first to write sheet music for the blues and for that reason is known as the Father of the Blues. Though associated with Memphis and Beale Street, Handy’s most famous song is St. Louis Blues (1914).

Click to hear Bessie Smith sing St. Louis Blues accompanied by Louis Armstrong — possibly the most influential recording in American music history (1925). [RealPlayer file]

NPR told the Handy and St. Louis Blues stories as part of the NPR 100. Click to hear the NPR report, which includes Handy’s own reminiscences and the complete Smith-Armstrong recording. [RealPlayer file]

W.C. Handy died in 1958.

Hall of fame and Oscar-winner day

Rock and Roll Hall of Fame inductee Ike Turner is 74 today.

Rock and Roll Hall of Fame inductee Art Garfunkel is 64.

Sam Shepard is 62. An inductee as a playwright into the Theatre Hall of Fame, Shepard was also nominated for the Best Actor Oscar for playing Chuck Yeager in The Right Stuff.

Bill Walton is 53. He’s in the Basketball Hall of Fame.

Kellen Winslow is 48. He’s a football hall-of-famer.

Tatum O’Neal is 42. Miss O’Neal won the Best Supporting Actress Oscar at age 10 for Paper Moon.

Vivien Leigh (who died at age 53) was born on this date in 1913. Miss Leigh was selected as Best Actress twice — for Scarlett O’Hara in Gone With the Wind (opposite Clark Gable) and for Blanche DuBois in A Streetcar Named Desire (opposite Marlon Brando).

And Leonard Franklin Slye was born in Cincinnati on this date in 1911. As Roy Rogers he’s an inductee into the Country Music Hall of Fame, the only person to be elected twice — as the King of the Cowboys and as a founder of the Sons of the Pioneers (“Tumbling Tumbleweeds,” “Cool Water”). Rogers died in 1998.

Sunday morning iTunes blogging

Sunday morning brings out the classical. Here’s the last dozen randomly (?) selected by iTunes.

  1. Speed the Plow Medley, Yo-Yo Ma, Edgar Meyer, Mark O’Connor
  2. Rhapsody in Blue, Leonard Bernstein
  3. La fille aux cheveux de lin, Boston Pops (Williams)
  4. Rondeau, Wolfgang Hannes & Bernard Laeubin
  5. Tumbling Tumbleweeds, Boston Pops (Fiedler)
  6. Pops Roundup, Boston Pops (Fiedler)
  7. Brandenburg Concerto No. 3 in G major: Allegro, Trevor Pinnock
  8. Goldberg Variations, BWV 988, Variation 2, Glenn Gould
  9. Goldberg Variations, BWV 988, Variation 15 Canon on the fifth, Glenn Gould
  10. Goldberg Variations, BWV 988, Variation 17, Glenn Gould
  11. Für Elise, Anatol Ugorski
  12. Granada, Göran Söllscher