Redux post of the day

First posted here six years ago today. I wrote the Bonnie Raitt review in 2002. I have made two minor corrections to the post.

Sadly, the Paolo Soleri Amphitheater is scheduled to be torn down in another incredibly stupid and insensitive action by the Santa Fe Indian School, which controls the property, and the All Indian Pueblo Council, which controls the school.


NewMexiKen spent late afternoon and early evening Thursday on the Plaza in Santa Fe, the nation’s oldest capital city (1610). It had been a year or possibly two since I’d been there (though it is one of America’s premier tourist attractions and I live just an hour away). I am always ready to dislike Santa Fe — and it’s always like a new love when I get there. Yes, it has the so-so affected galleries and their so-so affected clientele; and yes it has too many places to buy T-shirts (I got two) and laser art. Still, the setting itself is authentic — like me, people have been drinking tequila or something like it on the plaza for nearly 400 years. And weather! Yesterday evening was stunning. Low 80s, clear, with a few white clouds, slight breeze. Blue sky that North Carolinians can’t even imagine.

Two years ago NewMexiKen saw Bonnie Raitt in Santa Fe at the Paolo Soleri Amphitheater (four days after seeing the Eagles in Albuquerque). Here’s the review I wrote then:

Saturday was entirely different. The Paolo Soleri is an outdoor amphitheater behind the Santa Fe Indian School. It seats maybe 2,500 and most of the seating is unreserved. We had reserved ninth row center seats for just $45 each, close enough to see the welt on the performer’s forehead after she whacked herself with a guitar.

Bonnie Raitt, 52, has also been recording and performing since 1971. She came into her own in 1989 when she won the Grammies for Album of the Year (Nick of Time); Best Pop Vocal Performance, Female; Best Rock Vocal Performance, Female, and Best Traditional Blues Recording (for a duet with John Hooker on I’m in the Mood). She was inducted into the Rock and Roll Hall of Fame two years ago.

Unlike the Eagles (excepting Joe Walsh) Bonnie Raitt was an entertainer, not just a musician. She had a lot of banter with the crowd, giving every impression she was having a great time. “You can leave if you have too, I’ll understand, but I’m staying a little longer.” It actually appeared as if her third encore was genuine; that is, a salute to a particularly appreciative audience. She had a guitar player and bassist behind her that have been with her for more than 20 years, plus a great new keyboard player and a fine drummer. She included all the essential hits, except sadly not Runaway, but a fair number of new songs as well from her new album, Silver Lining.

Bonnie Raitt is a great guitarist. I think I wasn’t as aware of that as I should have been before last night. She’s got the blues down when she needs to, and she can rock. It was wonderful to be close enough to see the playing; close enough to count the picks on her fingers (and not on a big screen – there are no screens at Paolo Soleri). Her voice was great, though she complained a little about some smoke from a concession early in the performance – it was like being at someone’s backyard charcoal barbeque for a while. She commented she preferred the “smoke” at Red Rocks (near Denver), which she claimed had been thick enough to make her high by the third song. She may have been particularly chatty Saturday night, as she needed to catch her breath between numbers at Santa Fe’s 7000 feet. Whatever, it was welcome and fun.

The Santa Fe Birkenstock crowd was interesting on its own. Seldom have I seen so many Earth people this side of Fourth Avenue, Tucson. I was expecting the glitterati of Santa Fe I suppose, and they are probably waiting for the Santa Fe Opera to begin its season.

Nevertheless, we did have one celebrity in the audience, two rows down, and five seats over. Jane Fonda, an apparent friend of Ms. Raitt. She looked good, but not unlike any other 64-year-old, exceptionally rich woman might. No Birkenstocks on Jane.

5 thoughts on “Redux post of the day”

  1. I think Jane Fonda was older than 64 six years ago. According to sources, she was born in Dec. of 1937. That would make her 64 in Dec. of 2001, not mid-2004.

    I suspect the seating capacity is much less than that, but I was only there for the Stewart Udall Service last month. It made me realize that what he accomplished was pretty much the opposite of Domenici.

    Where do you find out the true seating capacity of the venue? I went looking on line, but couldn’t find it. I was amazed at the number of websites that said they re-sold tickets to supposedly sold-out concerts. But then, I don’t go to rock concerts or large sporting events. (None of them had any for this place.)

    1. The Bonnie Raitt show was in 2002. Jane was 64.

      I wrote that Paolo Soleri “seats maybe 2,500.” It was an estimate. I may have been mistaken.

  2. So sad about the Paolo Soleri. The first concert I saw there was way back in the late 80’s: UB40. It was great. Since, I’ve seen Bonnie (love her, one of my fav’s), Lyle Lovett, Willie Nelson, and, (in the way-back machine now)… a young female singer/songwriter/guitarist by the name of Melissa Etheridge.
    There are so many more and such good memories…

    I will surely miss it.

  3. The Paolo Soleri will be missed. It was one of the best acoustical venues in the west. Small as it may be, that made it more intimate and cozy. To enjoy the full rich sound of several blues artists, Up and coming rock musicians, and folk singers, I have seen there over the last 20 or so years.

    There was not a bad seat in the place.

    Would not be surprised if they put up a damned casino in it’s place.

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