In 1998, the Modern Library polled its editors and produced a list of the 100 best English-language novels of the 20th century. Number one, as you can see, was Ulysses by James Joyce, a novel set on one day, June 16, 1904. Hence, Bloomsday in honor of the novel’s protagonist, Leopold Bloom. The day is widely celebrated with readings, pub crawls and other good times.
- ULYSSES by James Joyce
- THE GREAT GATSBY by F. Scott Fitzgerald
- A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce
- LOLITA by Vladimir Nabokov
- BRAVE NEW WORLD by Aldous Huxley
- THE SOUND AND THE FURY by William Faulkner
- CATCH-22
- DARKNESS AT NOON by Arthur Koestler
- SONS AND LOVERS by D.H. Lawrence
- THE GRAPES OF WRATH by John Steinbeck
- UNDER THE VOLCANO by Malcolm Lowry
- THE WAY OF ALL FLESH by Samuel Butler
- 1984 by George Orwell
- I, CLAUDIUS by Robert Graves
- TO THE LIGHTHOUSE by Virginia Woolf
- AN AMERICAN TRAGEDY by Theodore Dreiser
- THE HEART IS A LONELY HUNTER by Carson McCullers
- SLAUGHTERHOUSE-FIVE by Kurt Vonnegut
- INVISIBLE MAN by Ralph Ellison
- NATIVE SON by Richard Wright
- HENDERSON THE RAIN KING by Saul Bellow
- APPOINTMENT IN SAMARRA by John O’Hara
- U.S.A. (trilogy) by John Dos Passos
- WINESBURG, OHIO by Sherwood Anderson
- A PASSAGE TO INDIA by E.M. Forster
- THE WINGS OF THE DOVE by Henry James
- THE AMBASSADORS by Henry James
- TENDER IS THE NIGHT by F. Scott Fitzgerald
- THE STUDS LONIGAN TRILOGY by James T. Farrell
- THE GOOD SOLDIER by Ford Madox Ford
- ANIMAL FARM by George Orwell
- THE GOLDEN BOWL by Henry James
- SISTER CARRIE by Theodore Dreiser
- A HANDFUL OF DUST by Evelyn Waugh
- AS I LAY DYING by William Faulkner
- ALL THE KING’S MEN by Robert Penn Warren
- THE BRIDGE OF SAN LUIS REY by Thornton Wilder
- HOWARDS END by E.M. Forster
- GO TELL IT ON THE MOUNTAIN by James Baldwin
- THE HEART OF THE MATTER by Graham Greene
- LORD OF THE FLIES by William Golding
- DELIVERANCE by James Dickey
- A DANCE TO THE MUSIC OF TIME (series) by Anthony Powell
- POINT COUNTER POINT by Aldous Huxley
- THE SUN ALSO RISES by Ernest Hemingway
- THE SECRET AGENT by Joseph Conrad
- NOSTROMO by Joseph Conrad
- THE RAINBOW by D.H. Lawrence
- WOMEN IN LOVE by D.H. Lawrence
- TROPIC OF CANCER by Henry Miller
- THE NAKED AND THE DEAD by Norman Mailer
- PORTNOY’S COMPLAINT by Philip Roth
- PALE FIRE by Vladimir Nabokov
- LIGHT IN AUGUST by William Faulkner
- ON THE ROAD by Jack Kerouac
- THE MALTESE FALCON by Dashiell Hammett
- PARADE’S END by Ford Madox Ford
- THE AGE OF INNOCENCE by Edith Wharton
- ZULEIKA DOBSON by Max Beerbohm
- THE MOVIEGOER by Walker Percy
- DEATH COMES FOR THE ARCHBISHOP by Willa Cather
- FROM HERE TO ETERNITY by James Jones
- THE WAPSHOT CHRONICLES by John Cheever
- THE CATCHER IN THE RYE by J.D. Salinger
- A CLOCKWORK ORANGE by Anthony Burgess
- OF HUMAN BONDAGE by W. Somerset Maugham
- HEART OF DARKNESS by Joseph Conrad
- MAIN STREET by Sinclair Lewis
- THE HOUSE OF MIRTH by Edith Wharton
- THE ALEXANDRIA QUARTET by Lawrence Durell
- A HIGH WIND IN JAMAICA by Richard Hughes
- A HOUSE FOR MR BISWAS by V.S. Naipaul
- THE DAY OF THE LOCUST by Nathanael West
- A FAREWELL TO ARMS by Ernest Hemingway
- SCOOP by Evelyn Waugh
- THE PRIME OF MISS JEAN BRODIE by Muriel Spark
- FINNEGANS WAKE by James Joyce
- KIM by Rudyard Kipling
- A ROOM WITH A VIEW by E.M. Forster
- BRIDESHEAD REVISITED by Evelyn Waugh
- THE ADVENTURES OF AUGIE MARCH by Saul Bellow
- ANGLE OF REPOSE by Wallace Stegner
- A BEND IN THE RIVER by V.S. Naipaul
- THE DEATH OF THE HEART by Elizabeth Bowen
- LORD JIM by Joseph Conrad
- RAGTIME by E.L. Doctorow
- THE OLD WIVES’ TALE by Arnold Bennett
- THE CALL OF THE WILD by Jack London
- LOVING by Henry Green
- MIDNIGHT’S CHILDREN by Salman Rushdie
- TOBACCO ROAD by Erskine Caldwell
- IRONWEED by William Kennedy
- THE MAGUS by John Fowles
- WIDE SARGASSO SEA by Jean Rhys
- UNDER THE NET by Iris Murdoch
- SOPHIE’S CHOICE by William Styron
- THE SHELTERING SKY by Paul Bowles
- THE POSTMAN ALWAYS RINGS TWICE by James M. Cain
- THE GINGER MAN by J.P. Donleavy
- THE MAGNIFICENT AMBERSONS by Booth Tarkington
The sad news is I consider myself fairly well read and I’ve only read six….and those six were only because I was forced to by the powers that be at Albuquerque Public Schools.
Oh, I take that back….I read The Sun Also Rises because it is one of my husband’s favorites. Other than that…..
I count 16, pathetic enough but made worse by the fact that I’m not sure on a few others.
23, but I’d like to remove several. An odd number are/were science fiction at the time, but now classics?
If I could get Catcher in the Rye out I’d use a hot iron ; ),
And to see Ulysses at the top is like finding Art by the Yard in a museum.
And there is a dreadful list of stories in there whose only attribute is being miserable: Under the Volcano to wit.
And apparently being a Joseph Conrad and Jack London fan helped a lot.
Good to see Robert Penn Warren – but fiction?
Emmett – there are MANY on the list I take issue with…..MANY.
Your comment about the Sci Fi items on the list is rather valid.
Also, I share your feelings on Catcher in the Rye. I thought I was the only one in the world vehemently at a “no” in regards to that book.
Also…the Grapes of Wrath is a truly crap novel. Colloquial of the time but NOT GREAT FICTION. I think people put it on lists because they think they have to. Cannery Row or The Pearl are FAR better books by the same author!
Well OK – if we are going to thread-jack here
Joseph Conrad and Jack London were assigned to kids (teens?) and appropriately so, ….
I guess my problem is Baldwin’s Go Tell it on the Mountain – earthshaking LITrature
A Passage to India, bosom-clutching little “r” romance.
But verily – both fiction.
The top three of the readers’ poll they conducted at the same time were ATLAS SHRUGGED by Ayn Rand, THE FOUNTAINHEAD by Ayn Rand and BATTLEFIELD EARTH by L. Ron Hubbard.
Gotta figure out how to get the coffee outta the key board now.
I enjoyed Rand, when I was thirteen.
And Hubbard we don’t need to touch on.
I am a voracious reader, but sadly, I can only count 10 or 12 from this list that I’ve read. Many of those titles are just not books I would ever want to read, despite that some group of scholars and/or editors somewhere thinks they are the best novels. Considering each/most of the ones I have read, I’d have to say I have read many other books I thought were far better. I think that some of those titles get on there because someone had to read them when they were in high school or college, and the books made an impact on their impressionable minds, and hence the book found a place in their imagination/memory as one of the greatest books. I think, if some of those folks went back and re-read some of those same books, they would discover that the books aren’t as great as they remembered them. I believe Catcher in the Rye falls into that category. When I was 16 it was awesome. At 36, and hundreds (if not thousands) of books later, I was not nearly as impressed.
My personal list would have to include, among many others, and in no particular order:
Lonesome Dove
Sho-Gun
Lord of the Rings (the trilogy)
A Prayer for Owen Meany
To Kill a Mockingbird (for its simple eloquence)
The Color Purple
The Mists of Avalon
Dune
I hated Catcher in The Rye. And I didn’t really like The Heart of Darkness much either.
I agree with Lonesome Dove, Shogun, Lord of The Rings, To Kill a Mocking bird and Dune as all being worthy of being on that list.
Any list of best novels is likely to be debated.
What do you think the selection criteria should be?
What makes a book one of your best? Or not?
I simply don’t understand how a list of best American novels can fail to include Sinclair Lewis’s Babbit. That may be the most American book of all. Also, why is Catch-22 the only book without an author? Granted, it’s kind of sloppy and seems a little bit like it was written by a staff, but you’d think Joe Heller would rate at least a mention.
And stop me if I missed something, but was Huck Finn missing from the list? Doesn’t that automatically make the list invalid in any way, shape or form?
The Modern Library list is for the 20th century. Huck Finn was published in 1884.
I read it again recently (mostly on my iPhone). It is still the preeminent American novel I believe.
“And stop me if I missed something, but was Huck Finn missing from the list? Doesn’t that automatically make the list invalid in any way, shape or form?”
Yes. Thanks for pointing out that omission.
My criteria includes (but is not limited to): character development (Lonesome Dove), plot intricacies (Sho-Gun), epic scope (Lord of the Rings), social relevance (To Kill a Mockingbird, Color Purple), generational representation (Owen Meany), and possibly most important, an interesting plot that not only keeps me turning the pages for hours on end at the expense of sleep or anything else I should be doing, but makes me languish and ache for more when it ends. (Although sequels don’t usually rise to the occasion, as with Dune or Mists of Avalon.)
Ok, I’ll be the one to point out that The Adventures of Huckleberry Finn was written in the 19th Century.
When my wife and I were dating she asked me why I liked her. I said,”I don’t know why I like ice cream, but I know I like ice cream.” She accepted that answer.
I feel the same way about music and literature. What is good? That which speaks to me on some deeper level. When it’s good I like it.
I’ve read enough to judge what is good and what is bad. There is no need to convince anyone else. When you read something you might like it and you might not.
These lists serve no other purpose than to instigate dialog, which is in itself a good purpose.
My bad. NMK pointed out in comment 12 that Huck Finn was ineligible. Sorry for the redundancy.
But in addition to being well crafted – shouldn’t a “Best of ” list also require something is being said that transcends the actual plot and characters? Either transcends the period to say something about people?
Speaking of which – where is Mark Helprin? Umberto Eco?
And I don’t read fiction – fiction readers can probably come up with way more.
Me: “And stop me if I missed something, but was Huck Finn missing from the list? Doesn’t that automatically make the list invalid in any way, shape or form?”
SnoLepard (who said it second but sounds sexier than NMK): “The Adventures of Huckleberry Finn was written in the 19th Century.”
Stop me if I’m wrong, but doesn’t my apparent inability to read make my criticism invalid in any way, shape and form?
These comments are so much fun.
Especially the one in which SnoLepard’s wife asks him why he likes her.
We women always want (need) to know that, don’t we? It really is important to us. Men so don’t care.
She likes me!
Really? Why?
Don’t know! Don’t care! She likes me! Woohoo!
;D
Actually Tom, your point of view on these kinds of lists and the books on them would be very interesting I’m certain.
Elise,
We are just SO thrilled we knock wood and REFUSE to question it further lest you begin to wonder too. ; )
So yeah – lets hear it for WooHoo!
Wait: is SnoLepard a fellah?
He’s always been just like a brother to me.
Just like a brother I imagine – snark
Shoot. I thought he was a girl. I mean, SnoLepard is kind of a girl’s name. I was imagining…well, it’s none of your business what I was imagining.
Now I’m going to have to go read some Hemingway.
Tom, read Peter Matthiesen while you’re at it. Specifically, The Snow Leopard.”
And by the way; my wife’s second oldest sister is also Tom.
Wow. Gay marriage has really screwed this country up. Next thing your going to tell me George Elliot was a girl!
Oh, Tom, you made me laugh out loud with that George Eliot crack. Thanks!
And not only that but I keep forgetting to list The Poisonwood Bible as deserving a space on this list.
The Poisonwood Bible was published after the list was made.