Steveland Hardaway Judkins was born on this date in 1950 (later Steveland Morris). As Little Stevie Wonder he first recorded for Motown as a 12-year-old; his “Fingertips (Pt. II)” was the first live recording to ever reach number one. Stevie Wonder’s greatest achievements however, began with the album Talking Book (1972), one of just seven albums to be part of The NPR 100. (Listen to the NPR report here [Real Audio].) Steve Huey tells us about Wonder’s best albums at the All Music Guide —
The result, Talking Book, was released in late 1972 and made him a superstar. Song for song one of the strongest R&B albums ever released, Talking Book also perfected Wonder’s spacy, futuristic experiments with electronics, and was hailed as a magnificently realized masterpiece. Wonder topped the charts with the gutsy, driving funk classic “Superstition” and the mellow, jazzy ballad “You Are the Sunshine of My Life,” which went on to become a pop standard; those two songs went on to win three Grammys between them. Amazingly, Wonder only upped the ante with his next album, 1973’s Innervisions, a concept album about the state of contemporary society that ranks with Gaye’s What’s Going On as a pinnacle of socially conscious R&B.
. . .Finally released in 1976, Songs in the Key of Life was a sprawling two-LP-plus-one-EP set that found Wonder at his most ambitious and expansive. Some critics called it brilliant but prone to excess and indulgence, while others hailed it as his greatest masterpiece and the culmination of his career; in the end, they were probably both right. “Sir Duke,” an ebullient tribute to music in general and Duke Ellington in particular, and the funky “I Wish” both went to number one pop and R&B; the hit “Isn’t She Lovely,” a paean to Wonder’s daughter, became something of a standard, and “Pastime Paradise” was later sampled for the backbone of Coolio’s rap smash “Gangsta’s Paradise.” Not surprisingly, Songs in the Key of Life won a Grammy for Album of the Year; in hindsight, though, it marked the end of a remarkable explosion of creativity and of Wonder’s artistic prime.
Bea Arthur is 86 today.
Harvey Keitel is 69.
Richard Steven Valenzuela would have been 67 today. But, as everyone knows, Ritchie Valens died in a plane crash on February 3, 1959, along with Buddy Holly and “The Big Bopper,” J.P. Richardson. Valens was 17.
In the course of his short life, Ritchie Valens left a lasting impact on rock and roll with the classic rocker “La Bamba.” A high-energy reworking of an old Mexican wedding song, its driving simplicity foreshadowed garage-rock, frat-rock and punk-rock. Ironically, “La Bamba” was the B-side of “Donna,” a paean to Valens’ girlfriend that rose to #2 on Billboard’s singles chart. “La Bamba” also charted, peaking at #22. This double-sided smash is one of the greatest rock and roll singles of the Fifties.
La Bamba was one of The NPR 100. Listen to story [Real Audio].
Joe Louis was born on this date in 1914. Dave Kindred listed Louis’ first round knockout of Max Schmeling in 1938 as the second leading sporting event of the 20th century (to Jesse Owens at the 1936 Olympics). “[T]he Louis-Schmeling rematch had become a metaphor of that coming war.” For an excellent analysis of Joe Louis’ career and its meaning to America, see Chris Mead, Champion — Joe Louis, Black Hero In White America (1985). The book is out of print unfortunately, but available in many libraries. A fine read, and I’d say that even if author Mead wasn’t NewMexiKen’s attorney.