… was born on this date in 1915. His real name was McKinley Morganfield.
The following is excerpted from Waters’ obituary written by Robert Palmer in The New York Times, May 1, 1983:
Beginning in the early 1950’s, Mr. Waters made a series of hit records for Chicago’s Chess label that made him the undisputed king of Chicago blues singers. He was the first popular bandleader to assemble and lead a truly electric band, a band that used amplification to make the music more ferociously physical instead of simply making it a little louder.
In 1958, he became the first artist to play electric blues in England, and while many British folk-blues fans recoiled in horror, his visit inspired young musicians like Mick Jagger, Keith Richards and Brian Jones, who later named their band the Rolling Stones after Mr. Waters’s early hit “Rollin’ Stone.” Bob Dylan’s mid-1960’s rock hit “Like a Rolling Stone” and the leading rock newspaper Rolling Stone were also named after Mr. Waters’s original song. …
But Muddy Waters was more than a major influence in the pop music world. He was a great singer of American vernacular music, a vocal artist of astonishing power, range, depth, and subtlety. Among musicians and singers, his remarkable sense of timing, his command of inflection and pitch shading, and his vocabulary of vocal sounds and effects, from the purest falsetto to grainy moaning rasps, were all frequent topics of conversation. And he was able to duplicate many of his singing techniques on electric guitar, using a metal slider to make the instrument “speak” in a quivering, voice-like manner.
His blues sounded simple, but it was so deeply rooted in the traditions of the Mississippi Delta that other singers and guitarists found it almost impossible to imitate it convincingly. “My blues looks so simple, so easy to do, but it’s not,” Mr. Waters said in a 1978 interview. “They say my blues is the hardest blues in the world to play.”