Bessie Smith was born on this date in 1894.
Bessie Smith earned the title of “Empress of the Blues” by virtue of her forceful vocal delivery and command of the genre. Her singing displayed a soulfully phrased, boldly delivered and nearly definitive grasp of the blues. In addition, she was an all-around entertainer who danced, acted and performed comedy routines with her touring company. She was the highest-paid black performer of her day and arguably reached a level of success greater than that of any African-American entertainer before her.
. . .Some of her better-known sides from the Twenties include “Backwater Blues,” “Taint Nobody’s Bizness If I Do,” “St. Louis Blues” (recorded with Louis Armstrong), and “Nobody Knows You When You’re Down and Out.” The Depression dealt her career a blow, but Smith changed with the times by adapting a more up-to-date look and revised repertoire that incorporated Tin Pan Alley tunes like “Smoke Gets in Your Eyes.” On the verge of the Swing Era, Smith died from injuries sustained in an automobile accident outside Clarksdale, Mississippi, in September 1937. She left behind a rich, influential legacy of 160 recordings cut between 1923 and 1933. Some of the great vocal divas who owe a debt to Smith include Billie Holiday, Dinah Washington, Sarah Vaughan, Aretha Franklin and Janis Joplin. In Joplin’s own words of tribute, “She showed me the air and taught me how to fill it.”
And this from a review of The Essential Bessie Smith.
. . . Bessie could sing it all, from the lowdown moan of “St. Louis Blues” and “Nobody Knows You When You’re Down and Out” to her torch treatment of the jazz standard “After You’ve Gone” to the downright salaciousness of “Need a Little Sugar in My Bowl.” Covering a time span from her first recordings in 1923 to her final session in 1933, this is the perfect entry-level set to go with. Utilizing the latest in remastering technology, these recordings have never sounded quite this clear and full, and the selection — collecting her best-known sides and collaborations with jazz giants like Louis Armstrong, Coleman Hawkins, and Benny Goodman — is first-rate. If you’ve never experienced the genius of Bessie Smith, pick this one up and prepare yourself to be devastated.
There are no lyrics today that surpass “Need a Little Sugar in My Bowl” for sexual imagery.
And, there is no more important recording in American musical history than Smith and Armstrong’s “St. Louis Blues.”
In listening to the earliest recordings, keep in mind there were no microphones until 1925. The artists sang or played and the sound was recorded acoustically, i.e., without electrical amplification.