Frank Rich tells us about “Fahrenheit 9/11” Michael Moore’s film.
Whatever you think of Moore, there’s no question he’s detonating dynamite here. From a variety of sources – foreign journalists and broadcasters (like Britain’s Channel Four), freelancers and sympathetic American TV workers who slipped him illicit video – he supplies war-time pictures that have been largely shielded from our view. Instead of recycling images of the planes hitting the World Trade Center on Sept. 11, 2001, once again, Moore can revel in extended new close-ups of the president continuing to read “My Pet Goat” to elementary school students in Florida for seven long minutes after learning of the attack.
*****Wasn’t it just weeks ago that we were debating whether we should see the coffins of the American dead and whether Ted Koppel should read their names on “Nightline”? In “Fahrenheit 9/11,” we see the actual dying, of American troops and Iraqi civilians alike, with all the ripped flesh and spilled guts that the violence of war entails. We also see some of the 4,000-plus American casualties: those troops hidden away in clinics at Walter Reed and at Blanchfield Army Community Hospital in Fort Campbell, Kentucky, where they try to cope with nerve damage and multiple severed limbs. They are not silent. They talk about their pain and their morphine, and they talk about betrayal. “I was a Republican for quite a few years,” one soldier says with an almost innocent air of bafflement, “and for some reason they conduct business in a very dishonest way.”
*****Speaking of America’s volunteer army, Moore concludes: “They serve so that we don’t have to. They offer to give up their lives so that we can be free. It is, remarkably, their gift to us. And all they ask for in return is that we never send them into harm’s way unless it is absolutely necessary. Will they ever trust us again?”
Thanks to The Sideshow for the link.