Wallace Stegner

In 1999, San Francisco Chronicle readers ranked the 100 best non-fiction and fiction books of the 20th century written in, about, or by an author from the Western United States.

NewMexiKen has posted the top 10 from the lists several times, but repeats them each year — because the lists are interesting, but primarily to honor Wallace Stegner, who was born 100 years ago today.

Stegner is first in fiction, second in non-fiction; now that’s a writer.

TOP 10 FICTION
1. “Angle of Repose,” by Wallace Stegner
2. “The Grapes of Wrath,” by John Steinbeck
3. “Sometimes a Great Notion,” by Ken Kesey
4. “The Call of the Wild,” by Jack London
5. “The Big Sleep,” by Raymond Chandler
6. “Animal Dreams,” by Barbara Kingsolver
7. “Death Comes for the Archbishop,” by Willa Cather
8. “The Day of the Locust,” by Nathanael West
9. “Blood Meridian,” by Cormac McCarthy
10. “The Maltese Falcon,” by Dashiell Hammett

TOP 10 NON-FICTION
1. “Land of Little Rain,” Mary Austin
2. “Beyond the Hundredth Meridian,” Wallace Stegner
3. “Desert Solitaire,” Edward Abbey
4. “This House of Sky,” Ivan Doig
5. “Son of the Morning Star,” Evan S. Connell
6. Western trilogy, Bernard DeVoto
7. “Assembling California,” John McPhee
8. “My First Summer in the Sierra,” John Muir
9. “The White Album,” Joan Didion
10. “City of Quartz,” Mike Davis

His father was a schemer who was constantly moving the family from place to place, hoping to strike it rich in one of the Western boomtowns. He watched as his father tried and failed to plant a farm in North Dakota, tried and failed to run a lunchroom in the backwoods of Washington state, sold bootleg liquor in Great Falls, Montana, poured the family’s savings into an invention that was supposed to detect gold in the ground, and finally bought a piece of redwood forest in California, only to cut it all down and sell it for firewood. By the time Stegner was 20, he had lived in more than 20 different houses, including, at one point, a derailed dining car. But though he had a tough childhood, Stegner grew to love the great open wilderness of the American West.

. . .

He’d already begun writing fiction, but he wanted to write a new kind of novel about the American West. At that time, the only novels being published about the West were full of cowboys and heroic pioneers. Stegner said, “I wanted to write about what happens to the pioneer virtues and the pioneer type of family when the frontiers are gone and the opportunities all used up. The result was his first big success, his novel The Big Rock Candy Mountain (1943), loosely based on the experiences of his own family. It tells the story of a man named Bo Mason and his wife, Elsa, who travel over the American West, trying to make it rich.

Stegner went on to write dozens of novels about the West, including Angle of Repose (1971) and The Spectator Bird (1976). But he also started one of the most influential creative writing programs in the country, at Stanford University, where his students included Wendell Berry, Larry McMurtry, Robert Stone, Ken Kesey, Raymond Carver, and Scott Turow.

The Writer’s Almanac (2007)