Scotland’s bard and most famous son, was born on this date in 1759.
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And days o’ auld lang syne.
NewMexiKen, undereducated that I am, couldn’t have told you much about Burns before today. Thanks to The Columbia Encyclopedia courtesy of Bartleby.com (truly one of the web’s great resources) I can tell you this:
Burns’s art is at its best in songs such as “Flow Gently, Sweet Afton,” “My Heart’s in the Highlands,” and “John Anderson My Jo.” Two collections contain 268 of his songs—George Thomson’s Select Collection of Original Scottish Airs for the Voice (6 vol., 1793 –1811) and James Johnson’s Scots Musical Museum (5 vol., 1787 –1803). Some of these, such as “Auld Lang Syne” and “Comin’ thro’ the Rye,” are among the most familiar and best-loved poems in the English language. But his talent was not confined to song; two descriptive pieces, “Tam o’ Shanter” and “The Jolly Beggars,” are among his masterpieces.
Burns had a fine sense of humor, which was reflected in his satirical, descriptive, and playful verse. His great popularity with the Scots lies in his ability to depict with loving accuracy the life of his fellow rural Scots, as he did in “The Cotter’s Saturday Night.” His use of dialect brought a stimulating, much-needed freshness and raciness into English poetry, but Burns’s greatness extends beyond the limits of dialect. His poems are written about Scots, but, in tune with the rising humanitarianism of his day, they apply to a multitude of universal problems.